The Puddlewonder Press

Asakusa (Tokyo), Japan. May 2014.


There’s a writing exercise I use with my students where I give them an image–usually something clipped from a magazine–and tell them to write about what they see for a set period of time. Then I give them a blank sheet of card-stock paper with a small square cut out of it. I tell them to put the card-stock over their image and move it around until it reveals some interesting detail, then write only about that smaller part of the image for the same amount of time. Often they write completely different stories or poems, about completely different things and from completely different perspectives. And yet, when you pull back, sometimes it’s difficult to see that all those stories are happening simultaneously.

It’s not really surprising then, that this is also a pretty important idea in photography. In many ways, the art of photography…

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