Working in TV can be like striding through treacle. Specifically, writing for TV. So why do we do it? Specifically, why do I do it?
At the end of February last year, I hosted what we in the hosting trade haughtily call a « corporate ». It was an in-house event for the Shine Group, Elisabeth Murdoch’s production company, which has acquired a number of other production companies in the UK, including Kudos, Dragonfly and Princess, and operates Shine satellites « out of » France, Spain, Germany, Australia and the States. (They approached me after seeing me host a screening and Q&A at the Edinburgh TV Festival for the thriller Hunted where a miscalculation meant that I didn’t get a chair and had to host it standing up. One job leads to another.)
The Shine gig proved an exhilarating day; smoothly run at their end, and with a good, attentive audience of media buyers…
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